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Here is the book that Rolling Stone called "the first Doors biography that feels like it was written for the right reasons, and it is easily the most informed account of the Doors' brief but brilliant life as a group".
- Sales Rank: #309015 in Books
- Published on: 1990-08-01
- Released on: 1990-08-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.20" l,
- Binding: Hardcover
- 319 pages
From Publishers Weekly
Indispensable for fans of one of rock music's most flamboyant and controversial groups is Doors drummer Densmore's insider's look at hard-living singer Morrison, who died of a drug overdose in 1971. Like the trashier (and bestselling) biography No One Here Gets Out Alive by Jerry Hopkins and Daniel Sugarman, the book in hand provides numerous examples of Morrison's self-destructive behavior. But Densmore's love-hate relationship with the self-proclaimed "Lizard King" leads him to paint a more sympathetic picture of the doomed superstar, whose rebellious rock-poet persona is still worshiped today by fans ("Jim's decay was the dark side of an already very dark vision"). Densmore's detailed account of the Doors' rise and fall is often narrated in a glib style. But his extensive use of Morrison's lyrics thoughtfully reinforces his main concerns: Densmore's belief in music as a "new religion" on a par with his rejected Catholic upbringing; his ongoing attempt to build "an inner life" to match what he depicts as a heady and confusing musical career; and his "guilt over failing to save Jim." Photos not seen by PW.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Such is the mystique, the iconoclastic reverence, the enduring commercial success and marketability of Jim Morrison, enigmatic lead singer of the Doors, 19 years after his death, that Densmore, founding Doors member and drummer, is repeatedly upstaged in his own autobiography. Densmore's inside-out account of the group's history perceptively examines relationships, dynamics, creative evolution, difficulties, and artistry, but Morrison in his many guises--angst-ridden poet, Lizard King, pop icon, and alcoholic--invariably dominates every chapter, story, and anecdote. In fact, Densmore addresses significant chunks of italicized text directly to Morrison in a therapeutic attempt to reconcile his own ambiguous feelings, often becoming overly confessional. This book should be very popular, especially as filmmaker Oliver Stone's anticipated Doors movie will undoubtedly create a new wave of Jim Morrison/Doors mania. Previewed in Prepub Alert, LJ 5/1/90.
- Barry Miller, Austin P.L., Tex.
Copyright 1990 Reed Business Information, Inc.
Review
"The first Doors biography that feels like it was written for the right reasons, and it is easily the most informed account of the Doors' brief but brilliant life as a group." -- The New York Times Book Review
Most helpful customer reviews
6 of 6 people found the following review helpful.
An Honest Look Behind the Doors
By Laurie Kelley
"There's the Beatles, the Stones, and the Doors," says Paul Rothschild, producer of one of the greatest bands of the sixties. Drummer John Densmore was only 21 when he joined with three other California students to form a band that would soon skyrocket to the top at a time when the US was a nation at war in Vietnam, and with itself. With quiet Robby Krieger on guitar, methodical and rational Ray Manzarek on keyboard and Adonis-look-a-like singer Jim Morrison, the band was like no other. With no bass player, they combined blues, jazz and psychedelic rock, with some Indian strings and often very dark lyrics, about death, murder and rage. And no wonder: Not long after forming, Densmore writes about their iconic lead singer, "I'm in a band with a psychotic."
The book is captivating. It starts in Paris, 1975, with Densmore visiting Morrison's grave, four years after his death at age 27 on July 3, 1971 from an overdose. Returning to the hotel, he pours his feelings out in a "letter" to Morrison on the hotel stationery, which then gets interspersed throughout the book with his recollections. His memoir details his time in the band, returning now and then to the ongoing letter, and towards the end, "updates" Morrison on events of the 1980s and 1990s. Interspersed are appropriate lyrics from their songs, so that the book itself becomes quite artsy. The book gives excellent insight into what the 60s were like, what it's like being in a band on the rise and what it was like to survive the onslaught of Jim Morrison. What's missing, though, is what "The Lizard King" was really like. We get snapshots, snippets, and stories, but it's as if Densmore viewed Morrison at arm's length, even though he intensely shared six years with him. He was in awe of Morrison--who wasn't?--and scared of him, and rightly so. Though he feels guilty at not being able to help Morrison, we have to remember he was only a young man from a humble Catholic background, ill equipped to cope with sudden stardom, wealth and the phenomenally complex, creative and self-destructive Morrison.
As if to highlight the detachment Densmore had with Morrison, Densmore dedicates the book to John Lennon of the Beatles, one of Densmore's heroes, and also mentions Lennon's assassination in his "letter" to Morrison, yet doesn't mention or maybe doesn't even know that Lennon was assassinated on Morrison's birthday, a fact he should know as Morrison and Densmore were born only a week apart.
"We sensed rage and a possible explosion too near the surface to mess with in dealing with you," Densmore writes in his letter to the now dead Morrison. "It seemed to have a lid on it--Pandora's box with all the demons that wanted to be released. We never opened the box... we had to deal with your demons seeping out the side." They seeped out and poisoned everything; the Doors had to cancel a 20-city tour when Morrison was arrested in Miami for indecent exposure at a concert (he was just pardoned this past December!). The charisma, lyrics and stunning voice of Morrison helped make the Doors a success; his addiction, rage and irresponsbility destroyed them. The book was published in 1990 and Densmore writes, "Well, we're going on 20 years and there's no end in sight" of the fascination people have with the Doors. On July 3, it will be 40 years since Morrison's death, and the Doors are almost as popular as ever. I picked this book up and finished it 5 hours later--it's compelling, honest, shocking and eye-opening. I literally could not put it down. A great book about my favorite band and my favorite singer--for no one could sing like Jim Morrison. Kudos to Densmore for being so unabashedly honest with his feelings and for sharing his life -- and the 60s--with us.
3 of 3 people found the following review helpful.
Interesting interior look at the Doors
By Victor Mark
I had intended to place this book onto my Amazon wish list for later ordering, but then accidentally clicked on one-click ordering instead. Oh well. The book arrived, as usual, within a few days.
I was glad it did. I found it for the most part very absorbing, describing mainly Densmore's 6 years while the Doors were a force with Jim Morrison. The book got off to a slow start, using retrospective imagined conversations with Morrison that sprinkle the book, which I mainly found tedious. However, if one is patient, one gets into Densmore's conservative Catholic childhood, passion not only for drumming, but many different drum styles, which he brought to the enrichment of the Doors' recordings (and for which he deservedly received co-author credit).
The Doors start out exciting, Densmore is enamored of this initially shy poet who could improvise lyrics in the studio, and later on stage. How "The End" evolved is especially engrossing. (I mean, who other than Jim Morrison could make this kind of thing up? In 1966?)
But, as everyone knows, the story got out of hand, and after some time, Densmore could barely take it anymore, even as the art form of theater rock was evolving before his eyes. His sympathy was with the audience, who came to hear a good show, but for whom Morrison often came heavily intoxicated, or plain psychotic, and either lectured or berated the audience, or did little at all. (And of course, some came just for that kind of alien theatricity.)
I was disappointed that some events were left out, such as the details of some albums, the Ed Sullivan show, their appearance at the Toronto Pop Festival (headlined by the Plastic Ono Band--did they ever meet up with John Lennon?). Even Morrison's death is only referred to indirectly, I guess Densmore figures we've heard it all before anyway.
Interesting, though, are Densmore's personal travails with relationships (two failed marriages, a psychotic brother). Most touching is his description of what happened to him in his life after the Doors. You get the feeling of a very long come-down--which it was. After all, to go from an obscure house band in Los Angeles to among the top American 60s acts in a very short time, 4 powerful and distinct musicians working (mostly) cohesively, and then suddenly the carpet is yanked out.
Densmore himself comes across as a very creative, level-headed, fair-minded person, upset by intoxication. He writes very clearly. The book reads very quickly. I was sorry that the book had to end. Well recommended.
Incidentally, just the other day caught Densmore on Jimmy Fallon, he looks wonderful, going strong. And Fallon does an outstanding (as usual) Jim Morrison.
2 of 2 people found the following review helpful.
A Dork's view of The Doors
By John Sennett
Well written and seems very truthful but I ended up greatly disliking the Author after reading it. Obviously, this guy was a Marching Band Geek who somehow made it into one of the most influential rock groups of the 60's. Top that with pettiness, innate jealousy and seriously low self confidence, and you get the Author. Now it does seem very believable as far as the time progression and decline of Jim Morrison. However, you have to sort of take some stuff with a grain of salt because there are still some unresolved issues for the Author and Jim. You should read this book despite what you think of the drummer.
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